Big Ideas are…
Ø …core concepts and themes.
Ø …about ongoing debates and issues.
Ø …about the overarching principle or
principles.
Ø …insightful perspectives and
inferences.
Ø …enduring understandings, that which
we take away from the study of a piece of literature or other topic.
v
An
enduring understanding is what stays with a person long after the details have
faded.
Examples
of Big Ideas and Enduring Understandings from
Tim
O’Brien’s “How to Tell a True War Story”
1. To convey the truth of intense
emotional and psychological experiences, authors (storytellers, screenwriters,
songwriters, et. al.) go beyond the mere facts, the reality of experience, to
engender the effect within the “reader.”
2. Truths
exist within the fictions we create – whether in parables, novels, poems,
films, songs and more; the truth of a story does not exist in its facts, but in
whether or not the reader, listener, or viewer feels, at least partly, its
emotional content.
3. War
and other traumatic experiences undermine and distort absolutes (right/wrong,
good/evil, truth/lies) and certainties compelling one to question morality and
purpose.
Examples
of Big Ideas and Enduring Understandings from
Mark Twain’s “The War Prayer”
1. Without realizing it, asking for
divine intervention for personal benefit may also be asking divine beings to
harm others.
2. Victory
in battle will inevitably lead to suffering among the vanquished which often
creates lasting cultural resentments and a future generation of enemies.
3. When
anyone, even a “messenger from God,” confronts people with ideas and
perspectives that challenge their long held beliefs, the people consider the
messenger “a lunatic” to be disregarded without considering the message at all.
Essential Questions…
Ø …are arguable and important to argue
about.
Ø …are “at the heart” of the matter.
Ø …recur and should recur throughout
life.
Ø …raise more questions.
Ø …may not have final, clear, or
definite answers.
Ø …are evaluative questions because
they can apply to many texts or situations in life.
Examples of essential
(evaluative) questions arising from “And So We Meet Again,” Sam Slaven’s story of dealing with his PTSD broadcast on This American Life
1. What are some of the sources of bigotry and prejudice? How do
those feelings harm both the person holding prejudicial views as well as the
people subject to that hatred?
2. How can we recognize and control our own prejudices instead of
letting them control us?
3. Why do many people never deal with their uncontrollable
feelings of hostility, and what can be done to help them?
Interpretive Questions address
a specific text or texts and have more than a single plausible answer.
Examples of interpretive questions from “Backlash Against Afghan Civilian Deaths”
1. How
does the Taliban cause or contribute to the deaths of innocents and then
successfully use those deaths as propaganda against the
2. Why
do the Afghan people believe that
Factual Questions have correct,
verifiable answers; they are not open to interpretation.
Examples of factual questions about Frankenstein.
1. Who is
Mary Shelley? 2. What two genres did Frankenstein
create? 3. Who is
4. Who is
Henry Clerval? 5. Who is William? 6. What happens to
the creature when it wanders in to town? 7. How does the creature learn to
speak and read? 8. How do Eva and the old man react to the creature? 9. Why
does the creature weep in the cottagers home? 10. How
did Felix react when he saw “the creature”? 11. Who is Justine?